INTERVIEW for Last Night with Doug McKellar by Joanne Yamaguchi and Gus Calabrese at the Oxford Hotel, hosted by
Landmark City Manager David Kimball Clicking on some of the photos and text will run video clips |
|||||||||||||||||||||||||||||||||||||
![]() |
|||||||||||||||||||||||||||||||||||||
![]() |
|||||||||||||||||||||||||||||||||||||
![]() |
|||||||||||||||||||||||||||||||||||||
C1--Director Doug McKellar speaks
of actress Sandra Oh selected to play the pivotal role in LAST NIGHT. Sandra
had gained prominence primarily in comedy in Canada. McKellar saw in her the
ability to express the dramatic struggle of LAST NIGHT. With Sandra Oh and
legendary Canadian director David Cronenberg as her husband, the head of the
utilities company stoically reporting to citizens the status of service, until
the very end, McKellar creates a unique work of self-reflecivity and courage.
play1 |
|||||||||||||||||||||||||||||||||||||
C2,C3--Everybody already knows the world is coming
to the end (McKellar's brilliant interpretation of the instruction to make
a 'millenium' film. Why not go for the the jugular, rather than a mere Y2K
frivolity?) No scientific explanation is provided for WHY the end is coming.
The focus is on how people handle the big end of the world. They do so rather
as they handle life's little ends of the world. Here McKellar has created
a stunning cinematic theme that compares with the French writer Georges
Bataille who describes sex as a 'little death'. |
|||||||||||||||||||||||||||||||||||||
C4--McKellar favors the unpredictable
in film structure. He admires Atom Egoyan's works for their mixtures of dramatic
coherence along with fragments. McKellar used this approach in his earlier
work THIRTY-TWO SHORT FILMS ABOUT GLENN GOULD. Doug McKellar omitted an explanation
in LAST NIGHT of the world's end (which would have been very Hollywood) so
viewers could focus on what is actually happening. play |
|||||||||||||||||||||||||||||||||||||
![]() |
|||||||||||||||||||||||||||||||||||||
![]() |
|||||||||||||||||||||||||||||||||||||
![]() |
|||||||||||||||||||||||||||||||||||||
C5--Did you really push that car over in the street scene? McKellar grins, recalling the event, says yes. LAST NIGHT is a low budget film, except for a few strong images to sell the film. |
|||||||||||||||||||||||||||||||||||||
Cronenberg makes a call play |
|||||||||||||||||||||||||||||||||||||
![]() |
|||||||||||||||||||||||||||||||||||||
![]() |
|||||||||||||||||||||||||||||||||||||
![]() |
|||||||||||||||||||||||||||||||||||||
|
|||||||||||||||||||||||||||||||||||||